Indeed.
The real proof for me was her mistreatment of Spike as a character in any episode she was involved in. Now, I'm not one of those nutjob "I <3 Spike, don't fuck with him!" people, but she forced the character into a place that he just didn't belong based on the way that Joss wrote him, and the way she talked about him made it really obvious that she was disdainful and dismissive of him. Writers who *do* get emotionally invested in their characters should NOT be invested in them with negative emotions. It's a bad place to be. She just... wasn't talented. And her ideas sucked. Also, she couldn't sing. 
Ick! Please don't remind me of Noxon's singing!!

If an episode had any hint of bathos in it, it was a certainty to me that it was "Noxed". I'll never be able to shake her penned episode from Season Six,
Wrecked, and the treatment of Willow within it. It went entirely too far with that absurd addiction motif. At that moment, Buffy went downhill for me (Angel was rocking and rolling in its 3rd season). Also, wasn't the 6th season when Noxon became a co-showrunner? I did like the Geek Trio,
Tabula Rasa, and of course,
Once More With Feeling quite a bit, but outside of that, .the rest of the sixth season...yikes.
Getting back to Dollhouse, the report I read was that Eliza actually brought Joss on board. She had the development deal and brought him in, so that makes me wonder how much creative control he's going to have. Nothing against Eliza, but if she's calling a lot of the creative shots we could be in trouble.
I don't believe Eliza's going to be calling any of the shots. Here's a little more on the above subject matter...
http://community.tvguide.com/blog-entry/TVGuide-Editors-Blog/Ausiello-Report/Eliza-Dushku-Lures/800026169So what is the concept, exactly? Explains Whedon: "Dollhouse is a suspense drama about a girl who can have any personality except her own." So it's part Alias and part Quantum Leap, "because Echo is literally changing who she is," he continues. "She gets into people's lives a little bit."You got half of it right, A Pretty Girl Is Like.
Whedon is the creator, head writer and executive producer, and perhaps in part because Dushku convinced him to do the show, she's getting a producer credit. (Fellow Buffyverse alum Tim Minear is also on board.)Score! Ever the optimist, his luck will change with this project.
