Author Topic: So what's Cocktail about?  (Read 16034 times)

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Offline Pak-Man

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So what's Cocktail about?
« on: August 23, 2006, 12:11:10 PM »
I refuse to look up the word "Cocktail" on the web because I fear what the search results may be, so I ask those of you here that I trust and barely know: What IS Cocktail about. I've often seen the box at rentals and assumed from the title and box art that it was some kind of Softcore Porno, but Mike wouldn't riff a softcore porno... Would he?


Offline gammer

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Re: So what's Cocktail about?
« Reply #1 on: August 23, 2006, 12:24:02 PM »
Its a touching love story of a man and his love for "cocktail" hour. He falls for the Tahiti Tingle and its an emotional rollercoaster ride, following his life as he loses his job and his family to his favorite drink...Just kidding, its not about this at all.

You can find out about it here: http://www.imdb.com/title/tt0094889/


Offline MrTorso

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Re: So what's Cocktail about?
« Reply #2 on: August 23, 2006, 12:52:04 PM »
Heh! Good one Gammer!


I refuse to look up the word "Cocktail" on the web because I fear what the search results may be, so I ask those of you here that I trust and barely know: What IS Cocktail about. I've often seen the box at rentals and assumed from the title and box art that it was some kind of Softcore Porno, but Mike wouldn't riff a softcore porno... Would he?

You do know that a "cocktail" is a drink right? If you google search the word the first link you get is for a website on making drinks and the second hit is the imdb listing for the film.



« Last Edit: August 23, 2006, 01:40:32 PM by MrTorso »
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Offline Pak-Man

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Re: So what's Cocktail about?
« Reply #3 on: August 23, 2006, 01:53:08 PM »
I know it's a drink, and I know that the internet has a dirty mind. :^)


Offline skyroniter

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Re: So what's Cocktail about?
« Reply #4 on: August 23, 2006, 02:37:43 PM »
Is it about chickens?


Offline Rube_Maroon

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Re: So what's Cocktail about?
« Reply #5 on: August 23, 2006, 02:49:36 PM »
Cocktail (R)  **

BY ROGER EBERT / July 29, 1988

Cast & Credits
Brian Flanagan: Tom Cruise
Doug Coughlin: Bryan Brown
Jordan Mooney: Elisabeth Shue
Bonnie: Lisa Banes
Mr. Mooney: Laurence Luckinbill

Touchstone Presents A Film Directed By Roger Donaldson, And Produced By Ted Field And Robert W. Cort. Screenplay By Heywood Gould, Based On His Book. Photographed By Dean Semler. Edited By Neil Travis. Music By J. Peter Robinson. Running Time: 100 Minutes. Classified R.

"Cocktail" tells the story of two bartenders and their adventures in six bars and several bedrooms. What is remarkable, given the subject, is how little the movie knows about bars or drinking.

Early in the film, there's a scene where the two bartenders stage an elaborately choreographed act behind the bar. They juggle bottles in unison, one spins ice cubes into the air and the other one catches them, and then they flip bottles at each other like a couple of circus jugglers. All of this is done to rock 'n' roll music, and it takes them about four minutes to make two drinks. They get a roaring ovation from the customers in their crowded bar, which is a tip-off to the movie's glossy phoniness. This isn't bartending, it's a music video, and real drinkers wouldn't applaud, they'd shout: "Shut up and pour!" The bartenders in the film are played by Tom Cruise, as a young ex-serviceman who dreams of becoming a millionaire, and Bryan Brown, as a hard-bitten veteran who has lots of cynical advice. Brown advises Cruise to keep his eyes open for a "rich chick," because that's his ticket to someday opening his own bar. Cruise is ready for this advice.

He studies self-help books and believes that he'll be rich someday, if only he gets that big break. The movie is supposed to be about how he outgrows his materialism, although the closing scenes leave room for enormous doubts about his redemption.

The first part of the movie works the best. That's when Cruise drops out of school, becomes a full-time bartender, makes Brown his best friend and learns to juggle those bottles. In the real world, Cruise and Brown would be fired for their time-wasting grandstanding behind the bar, but in this movie they get hired to work in a fancy disco where they have a fight over a girl and Cruise heads for Jamaica.

There, as elsewhere, his twinkling eyes and friendly smile seem irresistible to the women on the other side of the bar, and he lives in a world of one-night stands. That's made possible by the fact that no one in this movie has ever heard of AIDS, not even the rich female fashion executive (Lisa Banes) who picks Cruise up and takes him back to Manhattan with her.

What do you think? Do you believe a millionaire Manhattan woman executive in her 30s would sleep with a wildly promiscuous bartender she picks up on the beach? Not unless she was seriously drunk. And that's another area this movie knows little about: the actual effects of drinking. Sure, Cruise gets tanked a couple of times and staggers around a little and throws a few punches. But given the premise that he and Brown drink all of the time, shouldn't they be drunk, or hung over, at least most of the time? Not in this fantasy world.

If the film had stuck to the relationship between Cruise and Brown, it might have had a chance. It makes a crucial error when it introduces a love story, involving Cruise and Elisabeth Shue, as a vacationing waitress from New York. They find true love, which is shattered when Shue sees Cruise with the rich Manhattan executive.

After the executive takes Cruise back to New York and tries to turn him into a pampered stud, he realizes his mistake and apologizes to Shue, only to discover, of course, that she is pregnant - and rich.

The last stages of the movie were written, directed and acted on automatic pilot, as Shue's millionaire daddy tries to throw Cruise out of the penthouse but love triumphs. There is not a moment in the movie's last half-hour that is not borrowed from other movies, and eventually even the talented and graceful Cruise can be seen laboring with the ungainly reversals in the script. Shue, who does whatever is possible with her role, is handicaped because her character is denied the freedom to make natural choices; at every moment, her actions are dictated by the artificial demands of the plot.

It's a shame the filmmakers didn't take a longer, harder look at this material. The movie's most interesting character is the older bartender, superbly played by Brown, who never has a false moment. If the film had been told from his point of view, it would have been a lot more interesting, but box-office considerations no doubt required the center of gravity to shift to Cruise and Shue.

One of the weirdest things about "Cocktail"' is the so-called message it thinks it contains. Cruise is painted throughout the film as a cynical, success-oriented 1980s materialist who wants only to meet a rich woman and own his own bar. That's why Shue doesn't tell him at first that she's rich. Toward the end of the movie, there's a scene where he allegedly chooses love over money, but then, a few months later, he is the owner and operator of his own slick Manhattan singles bar.

How did he finance it? There's a throwaway line about how he got some money from his uncle, a subsistence-level bartender who can't even afford a late-model car. Sure. It costs a fortune to open a slick singles bar in Manhattan, and so we are left with the assumption that Cruise's rich father-in-law came through with the financing. If the movie didn't want to leave that impression, it shouldn't have ended with the scene in the bar. But then this is the kind of movie that uses Cruise's materialism as a target all through the story and then rewards him for it at the end. The more you think about what really happens in "Cocktail," the more you realize how empty and fabricated it really is.

http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19880729/REVIEWS/807290301/1023


Offline Rube_Maroon

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Re: So what's Cocktail about?
« Reply #6 on: August 23, 2006, 02:51:55 PM »
Cruise + Booze = Big Snooze COCKTAIL
Directed by Roger Donaldson; Screenplay by Heywood Gould
By RICHARD CORLISS

Posted Monday, Aug. 8, 1988

We live in an age of star quantity, when actors bulk up and become icons. Watching Sylvester Stallone or Arnold Schwarzenegger from film to film, moviegoers follow their new, improved musculature like twists in a plot of enlightened egotism. They are comic-book heroes -- impossibly perfect, way too perfect -- in 3-D. They are their own apotheoses, their own parodies.

So it's a pleasure to find a movie star, like Tom Cruise, who radiates old- fashioned star quality. Onscreen Cruise looks life-size or a little less; his body is not so much beefy as blocky; when he laughs, his prominent nose turns into a knuckle. Yet if Cruise disdains perfection for a roguish humanity, his million-watt smile makes him immediately likable, even swoonworthy. In Risky Business, Top Gun and The Color of Money, he effused an unselfconscious self- confidence, an anachronistic but winning spirit of American go-get. In an ideal suburbia, Cruise is the boy next door, most likely to succeed.

Trouble is, he knows this, and so do the people who help him make movies. His new one, Cocktail, has no reason for being other than to market the Cruise charm like a cheap celebrity perfume. Act I: See Tom strut as a Manhattan bartender for whom mixing drinks becomes a form of performance art, a quick route to saloon celebrity. Act II: See Tom slink, as he dumps a young woman of sweet substance (Elisabeth Shue) for life on a leash held by a rich bitch (Lisa Banes). Act III: See Tom furrow his boyish brow in a moment of reflection and win the girl of his revised dreams. Sure, fine, why not? Love with the proper heiress propelled many an affable screwball plot in the '30s, when stars made a new movie every few months and one more airy, romantic comedy was no big deal.

Even back then, Clark Gable wouldn't have touched this script with a ten- foot swizzle stick. Nor can Cruise find much to dine on here; the film is a 100-minute canape. Maybe it was meant to be a Bright Lights, Big City with a happy ending, and with booze instead of dope as the recreational drug of choice. Bryan Brown, who plays Cruise's misanthropic mentor, does eventually go the way of all flash: he can cope with everything but success. But if there is a moral here, it is lost in the film's desperate dash to ingratiate. As Cruise says at Cocktail's climax, "I tried to sell out to you, but I couldn't close the deal." He should know you can't sell star quality, but you can sell it out. Charm is the wrapper, not the package. And Cocktail is a bottle of rotgut in a Dom Perignon box.

http://www.time.com/time/magazine/article/0,9171,968059,00.html


Offline mstgator

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Re: So what's Cocktail about?
« Reply #7 on: August 23, 2006, 04:17:04 PM »
Let's not forget this movie introduced us to the horrors of "Kokomo" and "Don't Worry Be Happy". Even the brief topless boobular scene with Elisabeth Shue wasn't enough to atone for that sin.
« Last Edit: August 23, 2006, 04:18:57 PM by mstgator »


Offline mrbasehart

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Re: So what's Cocktail about?
« Reply #8 on: August 23, 2006, 06:22:49 PM »
Isn't Cruise's name in the movie Cole Trickle? That should provide Mike with plenty of ammo...


Offline gammer

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Re: So what's Cocktail about?
« Reply #9 on: August 23, 2006, 06:42:29 PM »
Isn't Cruise's name in the movie Cole Trickle? That should provide Mike with plenty of ammo...

No, that was 'Days of Thunder'. Another movie that should be riff'd.


Offline mstgator

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Re: So what's Cocktail about?
« Reply #10 on: August 23, 2006, 08:06:05 PM »
To answer the original question, it's about an hour and forty minutes.


Offline ZachsMind

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Re: So what's Cocktail about?
« Reply #11 on: August 23, 2006, 08:27:44 PM »
It's about to make me spew.
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any Tom Cruise movies. Yuck


Offline Rube_Maroon

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Re: So what's Cocktail about?
« Reply #12 on: August 23, 2006, 08:28:55 PM »
It's about to make me spew.

Hey! Don't ask, don't tell!


Offline Conor

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Re: So what's Cocktail about?
« Reply #13 on: August 24, 2006, 08:17:36 AM »
Let's not forget this movie introduced us to the horrors of "Kokomo" and "Don't Worry Be Happy". Even the brief topless boobular scene with Elisabeth Shue wasn't enough to atone for that sin.


http://www.youtube.com/watch?v=QaomFSacGq8


Offline mstgator

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Re: So what's Cocktail about?
« Reply #14 on: August 24, 2006, 03:40:52 PM »
Let's not forget this movie introduced us to the horrors of "Kokomo" and "Don't Worry Be Happy". Even the brief topless boobular scene with Elisabeth Shue wasn't enough to atone for that sin.


http://www.youtube.com/watch?v=QaomFSacGq8

Oy... being a moderator, you should know better than to post links like that without some sort of "Content Warning". ;)