[
WARNING: nuttin' at all 'random' about this post!]
To me, the entire 'railroad in the sky' stuff belongs in
Batman Beyond, not in an up-til-then apparently serious film about an at-the-time deadly protagonist (as well as a more deadly antagonist). Had the train been on the ground (or even slightly elevated, as in NY, or Chicago, or Seattle, or Tokyo, or even Disneyland) it wouldn't have been a cartoon and it could - possibly - have been taken somewhat seriously. Or, had the climax of '
Begins' been in a
Batman Beyond cartoon film, I would have accepted it no problem.
For
Begins, I think Ra's al Ghul
might have been a worthwhile antagonist, if it hadn't been he (and apparently
only he) that trained Bruce Wayne. That jarring distortion of the character's origin, and the cliche' of 'student becomes the master', undermined the rest of the plot for me.
There is a level of suspension of disbelief that I simply cannot achieve for a live action film - and that level is not only required, but surpassed, by
Batman Begins. There's not remotely the level of suspension of disbelief needed for
The Dark Knight... regardless of the absurdity of the situation, the events are largely realistic (as is the city, for a dramatic change from '
Begins', despite still being Gotham). The 'flights of fancy' that compose
Dark Knight work because they are tethered to reality. No such tethering occured in '
Begins'.
And, as most have agreed, '
Rises' was virtually unwatchable for multiple reasons. [Not the least of which is the crap with healing a broken spine with no medical care in the worst prison on the planet... if the spinal cord was cut (which, simply watching the impact, it could not have avoided being) there is no coming back from that. That's, again, untethered fantasy.] But yeah, as QV said (and I basically stated here prior to its release), Bane is the least interesting antagonist that could have been chosen for a Batman film.
So what does all this tell us? That, (for me at least), for comic book movies to be 'great', the film has to be taken seriously and enacted with fantasy and science fiction having strong tethers to reality (or at least 'believable bullshit' [which 4-5 story high trains and healing broken spinal cords don't contain in these films]). [Another e.g.:
Iron Man 1 came so damn close to losing me with the slapstick shit (which, in reality, would have easily resulted in Tony dying at
least twice: [what the fuck: spoilered in case anyone's not seen
Iron Man 1 but still plans on it]
the crash after the 'Mark 1' flight in the desert, and slamming into the ceiling when first testing the repulsors for flight)
... after each of those (and one other I can't quite remember now) I had to fight my way to get back into 'believing' the story. Possibly why I'm in the minority with apparently liking IM3 better than the first two. Black took the character and story seriously, Favreau did not. (Granted, he came from playing Foggy Nelson in DD, so had no clue that these films could really be anything but a childish joke... but it still falls on him that they ended up
with as punch lines.)]
Enough fucking diatribe... to each their own. If you enjoy '
Begins' &/or '
Rises', and if you hated '
Dark Knight' - good for you! Whatever floats your boat.
Lucas out -
peace!