Though I do try to hide most there might be some SPOILERISH material within...
Nebraska (2013) Tomatometer: 8.0 – 92%
This is one of Alexander Payne’s road pictures, a kin to my favorite from the writer/director (About Schmidt). Several Paynian elements are present; you have the theme of family legacies. There’s a person at a crossroads, or in this case, near the end off their life. There are the awkward situations, as well as the banal and the uncomfortable ones (family and friends can be greedy, even reprehensible). There’s a healthy dose of black humor, but also some genuine moments of warmth. The journey Payne’s characters are on can get pretty rough, but eventually they reach a moment of zen… with Nebraska it’s a final moment of personal dignity restored.
So yeah, this isn’t breaking new ground, but that doesn’t change the fact that it still makes for a hell of film. Interestingly, as much as this feels like Payne and Taylor wrote it, they didn’t. Bob Nelson is the screenwriter, and the dialog is razor sharp, bitingly funny but also thoughtful (I love the bit near the end
when a woman asks if his father has Alzheimer’s, he says “No, he just believes what people tell him.” And the woman responds, “Oh, that’s too bad”. Film quote of the year, there)
Performances are all amazing, especially Bruce Dern. I also admired the score and the B&W cinematography.
I’ve liked, but not been overwhelmed by Oscars best picture nominees this past year. Thankfully this one met and exceeded expectations. Alexander Payne hasn’t disappointed me yet. (At least while he’s wearing his director’s hat)
Blacanieves (2012) Tomatometer: 7.8 – 94%
Spanish spin on Snow White… and the 7 dwarf bullfighters? Done as a silent, with gorgeous B&W photography and imaginative direction. The story is fanciful, heartfelt and sad. Aside from the bits with a pet chicken (which came off a bit too goofy) the film was engaging start to finish. I was completely enthralled.
The Hunt (Jagten 2012) – Tomatometer: 7.9 – 93%
Devastating Dutch film about a Schoolteacher accused of molesting several children. Mads Mikkelsen is wonderful -- giving a rather understated performance, as he almost seems in a trance, unbelieving that everyone, even his dearest friends, could turn on him.
The “one year later” coda brought a ‘too abrupt’ change in fortune… I would have rather seen how this played out on screen. How did they go from where they were from point A to point B. But other than that, this was a gut wrenching film experience. It ran me through an emotional wringer.
Blue Jasmine (2013) – Tomatometer: 8.0 - 91%
Watched it again and it strikes me that Allen took elements from Streetcar Named Desire and retooled it. Blanchette’s Jasmine has some Blanche DuBois in her: She’s damaged, lost in her own world, putting on airs… And Cate is brilliant -- the way her fractured mind shifts from one thing to another: At times tragically sad and fragile, and at others irritatingly self-absorbed and meddling. The actress displays a deft comedic hand, and frequently cracked me up, especially in those moments when she suddenly becomes self-aware (and Allen gifts her with some killer dialog). The lies people tell to others and to themselves, is a constant theme, and the ending had me empathizing for someone who really wasn’t very pleasant...
There’s no one to catch her fall, no ‘kindness of strangers’ to rely upon. As heartbreaking as Streetcar was, Woody doesn’t grant us even the small comfort of knowing that Jasmine will be cared for by someone, somewhere.