Number 2: All Along the Watchtower
Cover by: Jimi Hendrix
Covering: Bob Dylan
(108 points on 8 of 17 lists. Top Vote #3 by Johnny Unusual)
"All Along the Watchtower" is a song written and recorded by the American singer-songwriter Bob Dylan. The song initially appeared on his 1967 album John Wesley Harding, and it has been included on most of Dylan's subsequent greatest hits compilations. Over the past 35 years, he has performed it in concert more than any of his other songs. Different versions appear on four of Dylan's live albums.
Commenting on the songs on his album John Wesley Harding, in an interview published in the folk music magazine Sing Out! in October 1968, Dylan told John Cohen and Happy Traum:
"I haven't fulfilled the balladeers's job. A balladeer can sit down and sing three songs for an hour and a half... it can all unfold to you. These melodies on John Wesley Harding lack this traditional sense of time. As with the third verse of "The Wicked Messenger", which opens it up, and then the time schedule takes a jump and soon the song becomes wider... The same thing is true of the song "All Along the Watchtower", which opens up in a slightly different way, in a stranger way, for we have the cycle of events working in a rather reverse order."
The Jimi Hendrix Experience began to record their cover version of Dylan's "All Along the Watchtower" on January 21, 1968, at Olympic Studios in London. According to engineer Andy Johns, Jimi Hendrix had been given a tape of Dylan’s recording by publicist Michael Goldstein, who worked for Dylan’s manager Albert Grossman. "(Hendrix) came in with these Dylan tapes and we all heard them for the first time in the studio”, recalled Johns. According to Hendrix’s regular engineer Eddie Kramer, the guitarist cut a large number of takes on the first day, shouting chord changes at Dave Mason who had appeared at the session and played guitar. Halfway through the session, bass player Noel Redding became dissatisfied with the proceedings and left. Mason then took over on bass. According to Kramer, the final bass part was played by Hendrix himself. Hendrix's friend, and Rolling Stones multi-instrumentalist, Brian Jones played the various percussion instruments on the track. Jones originally recorded a piano part that was later mixed out in place of the percussion instruments. Kramer and Chas Chandler mixed the first version of "All Along The Watchtower" on January 26, but Hendrix was quickly dissatisfied with the result and went on re-recording and overdubbing guitar parts during June, July, and August at the Record Plant studio in New York. Engineer Tony Bongiovi has described Hendrix becoming increasingly dissatisfied as the song progressed, overdubbing more and more guitar parts, moving the master tape from a four-track to a twelve-track to a sixteen-track machine. Bongiovi recalled, "Recording these new ideas meant he would have to erase something. In the weeks prior to the mixing, we had already recorded a number of overdubs, wiping track after track. [Hendrix] kept saying, ‘I think I hear it a little bit differently.’” The finished version was released on the album Electric Ladyland in September 1968. The single reached number five in the British charts, and number 20 on the Billboard chart, Hendrix's only top 20 / top 40 entry there. The song also had the #5 spot on Guitar World's 100 Greatest Guitar Solos.
Dylan has described his reaction to hearing Hendrix's version: "It overwhelmed me, really. He had such talent, he could find things inside a song and vigorously develop them. He found things that other people wouldn't think of finding in there. He probably improved upon it by the spaces he was using. I took license with the song from his version, actually, and continue to do it to this day." In the booklet accompanying his Biograph album, Dylan said: "I liked Jimi Hendrix's record of this and ever since he died I've been doing it that way... Strange how when I sing it, I always feel it's a tribute to him in some kind of way."