Well that was interesting. "Never any good after Hartnell left" I have never heard anyone say that before.
I'm actually not surprised, since from what I gather, Alan Moore hates everything. Granted, I like his work, and I understand the guy's point about creativity and the squelching of it and all that, but I think he's been a 75-year-old curmudgeon for 30 years now. He's sort of like the guy you run into at a record shop that, whenever you go to buy anything, tells you your music sucks and that nothing is quite like the awesome band he listens to that no one has ever heard of, and might not actually exist, but he uses it as an excuse to point out how much of a pleb you are. Example:
"What's that?"
"Oh, I'm just picking up this old Depeche Mode record. I'm thinking of picking up a bunch of vinyl stuff."
"Depeche Mode? Pfft. They're nothing but a rip-off of Innuendo Circlehat."
"Inn...Innuendo Circlehat?"
"Yeah, '70s band, used to play the nightclub circuit in Queens, real grinder synth, years ahead of its time. YOU would've never heard of them, though."
"I think you just made them up."
"Heh, made them up. Next thing you'll be telling me is that Motley Crue was in no way influenced by Taint of Anaxerxes."
I mean, I can understand being upset by the movies of "V for Vendetta" and "League of Extraordinary Gentlemen," but Zach Snyder practically kissed Alan's ass making "Watchmen," give or take an ending or two, and Moore refuses to watch it or lend his name to it because he believes things made in a certain media should stay that way.
You know, says the guy who drew comics of the TV show Doctor Who.

Like I said, I like the guy's work, but I think years of dealing with executives really embittered him in a way that's awfully tragic.